Focusrite Liquid Mix
|
|
Focusrite liquid mix 32! $250.00 |
|
|
Focusrite Liquid Mix 16 (16 Ch FireWire Mix Processor) $199.99 |
|
|
FOCUSRITE LIQUID MIX HD FOR PRO TOOLS “NEW” GREAT DEAL $149.95 |
|
|
Buyers e-book guide to Focusrite Liquid Mix & pro audio $4.95 |
|
|
Focusrite Liquid Mix 16 Firewire DSP Processor- NEW!! $199.00 |
|
|
Focusrite Liquid Mix 32 – Excellent! $275.00 |
|
|
New Focusrite Liquid Mix 16 $199.99 |
|
|
New Focusrite Liquid Mix DSP $299.99 |
|
|
New Focusrite Liquid Mix $599.99 |
|
|
New Focusrite Liquid Mix DSP $299.99 |
|
|
New Focusrite Liquid Mix HD $499.99 |
|
|
LIQUID MIX HD FOR PRO TOOLS “NEW” FOCUSRITE Liquid Mix $149.95 |
|
|
Focusrite Liquid Mix 16 DSP Multi Effects LiquidMix NEW $199.00 |
|
|
Focusrite Liquid Mix 16 FireWire DSP Proc & Control Sur $199.99 |
|
|
Focusrite Liquid Mix 16 DSP Multi Effects LiquidMix NEW $169.00 |
|
|
Focusrite Liquid Mix 16 DSP Multi Effects LiquidMix NEW $199.00 |
|
|
Focusrite Liquid Mix Expansion Card Liquid mix 32 16 $134.00 |
|
|
Focusrite Liquid Mix 16 Channel Compressor EQ Processor $199.00 |
|
|
Focusrite Liquid Mix liquidmix STOCK NYC PROAUDIOSTAR $489.00 |
|
|
Focusrite Liquid Mix- liquidmix PROAUDIOSTAR $475.00 |
|
|
Focusrite Liquid Mix- liquidmix STOCK NYC PROAUDIOSTAR $489.00 |
|
|
Focusrite Liquid Mix- liquidmix PROAUDIOSTAR $489.00 |
|
|
Focusrite Liquid Mix- liquidmix PROAUDIOSTAR $459.99 |
|
|
FOCUSRITE LIQUID MIX 16 FIREWIRE MIX PROCESSOR NEW $199.00 |
|
|
Focusrite Liquid Mix liquidmix PROAUDIOSTAR $449.00 |
|
|
Focusrite Liquid Mix HD Plug-in for Digdesign Protools $225.00 |
|
|
FOCUSRITE LIQUID MIX HD FOR DIGIDESIGN PRO TOOLS ILOK $189.00 |
|
|
Focusrite Liquid Mix Firewire DSP EQ & Compressor $599.00 |
|
|
Focusrite LIQUID MIX LIQUIDMIX 32 Ch FireWire Mix Proce $499.00 |
|
|
Focusrite Liquid Mix DSP Expansion Card $299.99 |
|
|
Focusrite Liquid Mix liquidmix $599.00 |
|
|
Focusrite Liquid Mix 16 $199.00 |
|
|
FOCUSRITE LIQUID MIX HD PLUG-IN BUNDLE TDM $169.99 |
|
|
Focusrite Liquid Mix 16 DSP Multi Effects LiquidMix NEW $169.00 |
|
|
Focusrite Liquid Mix 16 FireWire Audio Processor $199.00 |
|
|
Focusrite Liquid Mix 16 Channel LiquidMix EQ Processor $199.00 |
|
|
Focusrite Liquid Mix HD $199.00 |
|
|
Focusrite Liquid MIX HD (TDM) mixhd $409.00 |
|
|
Focusrite Liquid Mix 16 DSP Multi Effects LiquidMix NEW $199.00 |
|
|
Focusrite Liquid Mix (32 Ch FireWire Mix Processor) $599.99 |
|
|
Focusrite Liquid Mix HD TDM Plugin for Pro Tools HD $499.00 Focusrite’s Liquid Mix HD offers the power of Liquid Mix exclusively to the Pro Tools HD market. It provides the same pool of classic EQ and compressor emulations as the Liquid Mix range and brings the sound of priceless and historically significant compressors and EQ’s straight to the DAW. Each instance of the Liquid Mix plug-in provides one Compressor and one EQ emulation from a huge selection o… |
|
|
Focusrite Liquid Mix Processor Plug-In … |
|
|
Focusrite Liquid Mix HD Plug In TDM … |
|
|
Focusrite The Liquid Channel $2499.99 Focusrite The Liquid Channel The Liquid Channel is a revolutionary professional channel strip that can precisely emulate any classic mic-pre and compressor. Combining radical new analogue pre-amp technology with Dynamic Convolution&trade techniques, The Liquid Channel fuses cutting-edge analogue design with lightning fast SHARC DSP. Augmented by fully digital controls and optional remote software, The Liquid Channel provides the ultimate fluid vintage collection. Liquid technology Rather than creating a similar sound to vintage units, as with modelling devices, The Liquid Channel precisely emulates their sonic behaviour. This is achieved through Dynamic Convolution™ the application of a unique, level-dependant set of responses to an audio signal. These measured responses, sampled at numerous levels and with every possible setting combination, are applied to the input stream on a sample-by-sample basis for accurate emulation. Liquid pre-amplification Mic-pre emulation can;t be achieved with software alone. Hardware is required in addition to account for the physical interaction with the microphone. As a result, Focusrite invested vast amounts of time and energy into designing and building the ultimate ‘liquid’ preamplifier, able to match the input impedance and signal path (transformer or electronic) of the device being emulated. Not all vintage units are born equal Second order harmonic distortion is a beneficial artefact of analogue circuits (especially tube and transformer-coupled designs) providing the much-loved ‘warmth’. However, often two units of the same type will vary in the amount of second order distortion produced, so an additional control for modifying this vintage property is provided. This allows for precise matching of the Liquid Channel to your own beloved mic-pre. The best of both worlds – analogue and digital The Liquid Channel combines a highly complex, massively flexible analogue front-end with Dynamic Convolution&trade processing, which utilises lightening fast SHARC chips and runs at sample rates of up to 192kHz. The front panel controls are digital, with tactile rotary encoders; all parameters can be stored in one of 99 program memories. At the press of button, you can reload all mic-pre, compressor and EQ settings for an individual session. If using The Liquid Channel in conjunction with a recording platform (e.g. Pro Tools), both the session files and The Liquid Channel’s program memory can be sent via standard data transfer methods, providing a completely mobile recording session. Perfectly emulated vintage classics with the power and ease of use of the digital domain. Infinite expansion and remote control The USB port on the rear panel allows remote control of The Liquid Channel, leaving the processor safely racked away. But that’s not all. The software application also serves as an archiving system for additional emulations and program memories, and permits downloads of additional classic units from www.ffliqui |
|
|
Focusrite TrakMaster Pro $339 Focusrite TrakMaster Pro Channel Strip TrakMaster Pro, a professional microphone preamplifier/compressor, is the latest in Focusrite’s Platinum Pro series and the company’s most affordable recording channel strip to date. Providing performance specifications never before seen at this price point, TrakMaster Pro features a mic preamp derived from Focusrite’s award-winning Green range, front panel DI, problem-solving mid-scoop EQ, intuitive optical compression, latency-free monitoring, and the Platinum Pro series ADC option. The preamp demonstrates the same wide bandwidth philosophy as past Focusrite preamps, ensuring low noise and distortion and delivering clarity without unwanted artifacts. The Low Impedance switch, a feature previously unavailable at this price point, brings yet further sound options to the recording process. Also featured are Phantom Power and a High Pass filter for controlling rumble, proximity effect and pop reduction. The mid-scoop EQ is a quick and effective problem-solver, with two different cut depths and an adjustable frequency control. Ranging from 120Hz to 2K, it’s ideal for problem solving or for great miked-up speaker cabinets. Staying true to the Focusrite philosophy, the intuitive optical vintage compressor has been tuned by ear and features Focusrite’s custom fast-acting optos operating in Class A mode, allowing for smoother, lower distortion performance than comparative off-the-shelf VCA circuits. With the addition of variable attack and the unique ‘Squash’ mode (ideal for punchy drum sounds), this compressor is equally capable of transparent compression or imposing a character of its own. Either way, it brings professional compression within reach of a new audience. The original TrakMaster’s metering section has been massively augmented, and now features a unique ‘porthole’-style peak level meter, alongside the trademark for the Platinum Pro series, latency-free monitoring. This section offers the capacity to monitor tracked signals within the mix directly at source, avoiding having to monitor via the DAW or digital desk. A headphone or monitor mix can be created for either the artist or the engineer, with immediate, tactile control over levels. Finally, TrakMaster Pro accepts the established Platinum Pro 24-bit, 96kHz stereo Analogue to Digital converter, providing a high quality direct digital route from the TrakMaster Pro to the DAW. When asked what he believes the Platinum TrakMaster Pro means to the recording masses, Rob Jenkins, Focusrite’s Director of Product Strategy, replied:”We’ve always been clear on the philosophy behind the Platinum range and we’re only too aware of what we need to deliver to stay ahead of the game in this market. Whilst TrakMaster Pro is the most affordable unit Focusrite has ever produced, it still breaks barriers. Carrying on where the TrakMaster left off, you’ve now got switchable impedance and latency-free monitoring – features that previously just weren’t available at this p |
|
|
Focusrite Twin Trak Pro $669 Focusrite Twin Trak Pro Dual Channel Strip In pride of place is TT Pro’s powerful dual mono/stereo optical compressor. This optical compressor features Focusrite’s custom fast-acting optos, alongside side-chain inputs and the ability to operate as a true ‘twinned’ stereo pair. These circuit design innovations are complemented by a comprehensive set of focussed controls. TT Pro is the first Platinum to feature a D/A converter as standard, alongside its optional analogue to digital converter. The D/A converter enables the user to feed mono or stereo digital signals into TT Pro. These signals can be fed either into the stereo latency-free monitoring section, or via line inputs (post- the pre amp stage) for further processing. The signal can then return to the digital audio workstation via Focusrite’s established stereo A/D converter option. Together, these facilities make TT Pro the perfect analogue interface for any digital audio workstation, and equally the world’s first ‘hardware plug-in’. Features include 2 award-winning Class A discrete transistor-based pre amps Dual mono/stereo optical compressor, featuring custom fast-acting optos Latency free monitoring with total control over balance, effects, mix and monitor levels 24 bit/192 kHz D/A fitted as standard, for processing digital signals or feeding digital signals into the monitoring path An optional 24 bit/96kHz A/D. Both the A/D and the D/A feature wordclock (BNC) Inductor-induced “Air” opens up high frequencies like an expensive transformer-balanced pre amp Variable impedance for improved microphone performance and extended creativity Mid scoop EQ for correcting problematic mid frequencies Direct inputs on the front fascia for both instruments (Jack) and microphones (XLR) Post pre amp inserts and compressor side-chain inserts, for enhanced processing flexibility 2 ocean blue peak-reading meters, innately beautiful and ideal for catching fast transients With TwinTrak Pro, Focusrite’s fanatical approach to quality design has given birth to twins. |
|
|
Focusrite Voice Master Pro Channel Strip $749 Focusrite Voice Master Pro Channel Strip With every project, you need to capture that perfect vocal and make the sound your own. VoiceMaster Pro represents a new generation of voice recording equipment. Many of the elements from the award-winning VoiceMaster have been innovated upon. In addition, the unit features a whole host of new processors designed to ensure you have all you require to make the most of the artist you’re recording. The award-winning Class A preamp captures every nuance from any source, whilst latency-free monitoring ensures direct and delay-free mix control. Tools such as the voice-optimised EQ, Vintage Harmonics and Tube Sound allow you to get creative with a touch of class, putting your own stamp on every recording. All of this, combined with the optional 24 bit, 96 kHz digital output board means that VoiceMaster Pro is the perfect interface between your microphone and your DAW or other recording media, placing the ultimate tracking solution firmly within your grasp. Please note: The power supply featured in VoiceMaster Pro is not a switching power supply. Consequently, 120v VM Pros are not suitable for use in 220-240v territories, and vice versa. Specifications Latency-free monitoring section – a separate stereo monitoring circuit that allows the user to monitor vocal + FX loop (e.g. to add reverb) + mix played back from e.g. DAW and control levels of these three sources, removing latency. (VoiceMaster has no monitoring section.) 24/96 digital output option, using the same A/D card as Penta and Trak Master. (VoiceMaster has no digital connectivity.) Backlit VU output meter (VoiceMaster has no VU meter) Instrument input in addition to line and mic inputs. Insert send and return, between mic pre and expander. (VoiceMaster has no insert.) Vintage Harmonics section. (VoiceMaster has only tape saturation simulator.) Routing flexibility (Vintage Harmonics and Compressor order can be reversed, and compressor and EQ order can also be reversed, hence 4 combinations of these 3 sections possible. (VoiceMaster has fixed processing block order.) 2U chassis. (VoiceMaster is 1U.) 6-LED input meter. (VoiceMaster has only single LED.) 6-LED expander meter. (VoiceMaster has only 4-LED meter.) New lower noise opto compressor. New lower noise opto expander. New Tube Sound section. (VoiceMaster has none.) VoiceMaster Pro circuit also includes new tone control feature and sexy, 3-colour large LED. More flexible EQ – now has frequency shift for HF (10k or 14k) and depth of notch filter (”absence”) can now be varied. (VoiceMaster has no HF shift and fixed depth of notch.) New de-esser- now features the ISA 430 de-esser – includes the ‘listen’ function, so that the sidechain of the de-esser can be isolated, making setting up the frequency to de-ess very easy. 6-LED De-esser meter. (VoiceMaster has only single LED.) L+R Monitor inputs and outputs. (VoiceMaster h |
|
|
Focusrite ISA430MKII $3299.99 Focusrite ISA430MKII The ISA 430 MKII represents the pinnacle of Focusrite’s analogue channel strip technology, bringing together all the classic designs in one comprehensive production tool. Augmented with additional features and flavours, alongside unmatched internal routing and connectivity, the ISA 430 MKII enables today’s recording professional to enjoy the unique sonic contribution of these heritage designs within one extremely versatile processor. Focusrite’s iconic status as the leading manufacturer of channel strips remains unrivalled. Features Classic Focusrite transformer-based Mic-pre with variable impedance and ‘Air’ feature Multi format Compressor; switch between Focusrite’s transparent VCA circuit and a vintage optical circuit Unmatched flexibility with an incredible variety of insert points and variable signal path arrangements Ability to function as 4 separate modular processors: mic pre, EQ, Dynamics and stereo ADC Precision VU metering of input level, Insert 1 or 2 Return level, Compressor gain reduction or Sidechain listen level (switched) Classic Focusrite EQ design; an expanded version of the original ISA 110 Post mic pre output for the shortest possible signal path Proprietary Focusrite discrete Class A VCA Gate and Expander designs “Listen” feature for precise control over compression, gating, expansion and de-essing De-esser design based on optical technology for lower distortion and transparency Soft Limiter to avoid critical digital overload Optional Stereo A/D -24-bit 192 kHz Delta Sigma converter |
|
|
Focusrite Compounder $749.99 Focusrite Compounder The Platinum Compounder is a high performance dynamics processor designed for the quality conscious professional and project studio owner. This highly featured unit is an essential tool for any style of music. The combination of high quality compression with the powerful Bass Expander makes this unit a must have for any dance music engineer or musician. |
|
|
Focusrite Saffire $349 Focusrite Saffire NAMM Show 2005 saw the launch of the Focusrite Saffire, a new breed of Firewire interface with onboard DSP and 24-bit/192kHz processing. Saffire fuses state-of-the-art hardware with highly integrated software to take audio interfacing one giant step closer to the professional studio experience. Four inputs (two digital) and 10 outputs (two digital) with unrivalled foldback and monitoring options ensure the engineer has all he needs to navigate through a modern recording session. Focusrite build and sound quality, intelligent front-end design and cutting-edge compression, EQ and foldback reverb software combine to guarantee an intuitive and trouble-free recording experience. The brand new software accompanying the Saffire hardware is a revolutionary new platform from the team that produced LiquidControl and the Forte Suite. This stylish application floats comfortably over any recording software and allows extensive control over the sound of the recorded signals and the multiple (monitor and headphone) output paths. Compression, reverb, amp modeling and EQ Saffire-powered plug-ins are included. All four are also available as a suite of plug-ins from within the recording platform in use. Up to five separate user-defined stereo mixes can be created of all incoming signals and recorded tracks from the recording platform. With such comprehensive monitoring/foldback options and onboard high quality signal processing and effects, the Saffire is truly the interface of choice for the serious recording engineer. Features Ultra-low latency Firewire 400 interface with onboard DSP 24-bit, 192kHz integrated A-D/D-A Four inputs; two Focusrite preamps and SPDIF I/O Eight balanced outputs for creating separate headphone/monitor mixes or 7.1 surround monitoring Suite of Saffire-powered plug-ins; compression, EQ, amp modeling and monitor path reverb available on analogue inputs, for recording wet and or monitoring Free accompanying software allows the engineer to create up to five unique stereo mixes of all incoming and recorded tracks Plug-ins also available for use within the user’s software platform MIDI I/O |
|
|
Focusrite Octopre $899.99 Focusrite Octopre AMM 2002 saw the unveiling of the latest Focusrite processor, the Platinum OctoPre. Providing eight pristine discrete channels of Focusrite Class A mic pre and compression, OctoPre routes directly to any digital audio workstation via eight standard analogue outputs, or via a choice of two optional 24-bit, 96kHz A/D converters (see below for details). The new OctoPre offers the unique qualities associated with the Focusrite name at an affordable price. Each channel features a revolutionary compressor/limiter circuit, providing a warm-sounding compressor, which morphs into a brick wall limiter to avoid those critical overs, ensuring total control over all eight channels. The mic pres featured in OctoPre are the same as those featured elsewhere in the award winning Focusrite Platinum range. They are a transistor-based Class A design utilising the same full-bandwidth philosophy as the legendary Red and ISA mic pres, ensuring detail and clarity without colouration. The first two ’super channels’ also feature phase reverse, as well as TRS jack inputs on the front fascia for quick and easy, DI-free instrument plug-in. Eight line level balanced (+4 dBu) analogue inputs and outputs are provided as standard via 25-pin D-type connectors. These D-type connectors may be routed to 8 XLRs by means of an 8-way 25-pin D-type to 8 XLR breakout cable, available separately (click here to download a PDF of the pinout details). In addition to the analogue outputs, the OctoPre can be fitted with one of the following two digital output options: 24-bit/96 kHz ADAT&trade interface card This card provides digital outputs for all eight OctoPre channels, which operate over the full sample frequency range (44.1, 48, 88.2 and 96 kHz) and can be dithered to 16-, 20-, or 24-bit depths depending upon the destination. External word clock synchronisation is possible using the rear panel BNC connector. The card features two ADAT&trade-type lightpipe output connectors. For speeds up to 48KHz both connectors transmit all 8 channels simultaneously. However, ADAT&trade-type connectors are bandwidth limited at sample rates above 48 kHz – each audio channel uses two ADAT&trade digital channels to accommodate the increased quantity of data, hence the need for two ADAT&trade connectors to allow 8 channels of conversion at high speed. 24-bit/96 kHz AES/SPDIF/ADAT&trade interface card This card contains exactly the same ADAT&trade-type digital output facilities as described above, with the addition of AES and SPDIF format outputs via a 9-pin D-type connector on the rear panel. As with the ADAT&trade-type outputs, the full range of sample rates and bit depths are available, and the converter may be synchronised to an external word clock source if required. To access the digital signals from the 9-pin D-type AES/SPDIF output connector the A/D card must be purchased with either an AES or SPDIF D-Type conversion cable, available separately. Either 8 AES or 8 SPDIF outputs can b |
|
|
Digidesign Focusrite Forte $595 Digidesign Focusrite Forte Digidesign Focusrite Forte Overview: Focusrite Forte (TDM + RTAS) Channel Strip Plug-in for Pro Tools The Focusrite Forte Suite is a channel strip plug-in for Pro Tools based on the now-legendary Focusrite Forte recording console of the mid-’80s (original price for Forte console: $1.5 million). Utilizing virtual vintage modules, Forte Suite brings Focusrite’s sonic signature to Pro Tools through sophisticated modeling of the ISA 110 EQ and ISA 130 dynamics processors (including compressor, de-esser, and noise gate), the key modules from the acclaimed Focusrite Forte analog console. It also includes surround modes as well as graphical representations of EQ, compression, and related module curves. And its interface components closely resemble the ISA series modules treasured by audiophiles the world over. Along with offering a host of powerful processing tools including a six-band EQ and a multi-channel compressor, gate, and expander, Forte Suite also features a sidechain input and frequency filters for the dynamics processors. The Forte Suite can perform both as a channel strip plug-in and as individual ISA 110, ISA 130 dynamics, and ISA 130 compressor plug-ins. In addition, the ISA 130 compressor supports all Pro Tools surround formats. Digidesign Focusrite Forte Features: ISA 110 Equalizer ISA 130 Multichannel Surround Compressor ISA 130 Expander ISA 130 Gate ISA 130 De-esser Side Chain input for the Compressor and Gate Frequency filters for the dynamics processors Classic-style, vintage GUI with additional graphical representations of the EQ, Compressor, and Gate Taps into the power of Pro Tools-HD Accel cards Supports sampling rates up to 192 kHz The classic, vintage “Focusrite Sound” Support for Digidesign D-Control Internal clip detection (Pro Tools 6.4 or higher required) Support for Pro Tools Delay Compensation (Pro Tools 6.4 or higher required) Get your Digidesign Focusrite Forte today! |
|
|
Focusrite AES-EBU 9-Pin Cable $69.99 Focusrite AES-EBU 9-Pin Cable for use with multi format OctoPre, ISA430MKII, and ISA428 A-D Cards |
|
|
Focusrite SP/DIF 9-Pin Cable $69.99 Focusrite SP/DIF 9-Pin Cable Assembly for use with multi format Octopre, ISA430MKII, and ISA428 A-D Cards |
|
|
Focusrite Red7 Mic and Dynamics $3999.99 Focusrite Red7 Mic and Dynamics The Red 7 is a powerful and versatile direct recording processor, featuring a compressor, de-esser and exciter. It features a single Red Range mic pre, plus a mono channel of the dynamics from the Red 3, with the addition of a de-esser/exciter. |
|
|
Focusrite Octopre LE $669 Focusrite Octopre LE OctoPre LE, the “lite edition” of the company’s established OctoPre, brings Focusrite pre-amplification and A/D-D/A conversion to a new level of affordability for DAW and digital console users. OctoPre LE provides eight channels of pristine Focusrite preamps, including two “Super Channels” that offer mic impedance matching and instrument DI inputs plus other features. With the optional A/D-D/A board installed, OctoPre LE brings more to the DAW via ADAT* lightpipe than ever before, allowing users to make the most of often neglected ADAT* inputs and outputs for tracking and monitoring. In addition, the A/D-D/A option provides wordclock in and out as well as being the only converter in its class to feature 256x clock – a must-have for Pro Tools engineers. Extremely easy to use, OctoPre LE helps to save session time and engineer heartache. Auto switching front and rear panel inputs and total control of the digital I/O from the front fascia allow the unit to remain racked and patched, with every I/O solution available at the flick of a switch. In typical Focusrite fashion, the OctoPre LE upholds professional standards throughout, boasting class-leading specifications: Analogue THD: 0.003% with 0dBu input (maximum gain) Wide bandwidth frequency response: 3 dB down at 200kHz Signal to noise ratio of 124dB Digital Dynamic range of 110 dB A-weighted Housed in a sturdy 1U chassis with the familiar Platinum fascia, OctoPre LE is the first of the Platinums to feature a ‘porthole’-style peak-reading meter, similar to Focusrite’s industry standard Red range of products. The meter can be switched to display the input level of any one of the eight channels. The two Super Channels feature DI for guitars or similar instruments, as well as a low impedance switch for making the most of ribbon mics and allowing deliberate mic mis-matching for enhanced creativity. Other features include phantom power, independent clip metering and low cut filters on every channel. |
|
|
Digidesign Focusrite d2/d3 Bundle $595 Digidesign Focusrite d2/d3 Bundle Digidesign Focusrite d2/d3 Bundle Overview: Focusrite d2/d3 Bundle (TDM + RTAS + AS) High-quality, Multi-band EQ and Compressor/Limiter Plug-in Bundle Modeled after their respective Red Range hardware counterparts, the Focusrite d2 and d3 bring high quality equalization and professional dynamic control to Pro Tools. The 24-bit d2 is designed for the audio professional who requires the highest levels of performance and maximum versatility in a software-based equalizer, providing multiple modular configurations. With superior resolution, intuitive graphics, dynamic automation and save/copy/paste options, d2 takes full advantage of the power and capabilities of the Pro Tools TDM environment. The d3 provides flexibility and versatility through separate insert configurations in addition to its highly impressive sonic characteristics. The d3 also functions in AudioSuite, providing file-based processing and conservation of DSP resources. Coupled with dynamic automation, multiple inserts and save/copy/paste options, the Focusrite d3 takes full advantage of the power and capabilities of Pro Tools. The Focusrite d2/d3 Bundle is now available at an exciting new, low price; they are no longer sold individually. Digidesign Focusrite d2/d3 Bundle Details: The d2 software-based digital equalizer, designed for Pro Tools TDM-based systems, is truly worthy of its lineage: the Red Range 2 Dual EQ. It provides three different mono or stereo modules: six band, four band, and dual/single band. These versatile configurations allow DSP power to be used where it is needed most. Any band type (or types) can be accessed up to the available DSP power in the system. d2 includes high- and low-pass filters, high and low shelving filters and high-mid and low-mid peaking filters. d2 also features analog-style overload indicators to track clipping and a highly accurate Cartesian graph that displays EQ settings as they are being adjusted. When an offset exists for the left and right channels, the graph will display both channels simultaneously. Focusrite’s d3 is a world-class, software-based compressor/limiter for Pro Tools TDM and AudioSuite-capable systems that provides two mono or stereo configurations. The Compressor+Limiter supplies both compression and limiting at all times. The Compressor/Limiter allows users to select compression or limiting, conserving DSP power for other operations as necessary. One d3 Plug-In can be used multiple times simultaneously, limited only by DSP capacity. Pro Tools software supports side-chain processing with d3, accepting post-fader input from any track or bus to control dynamics parameters. Of course, all settings are automatically restored and recalled with the Pro Tools session. Both the d2 and d3 interfaces closely emulate their respective sibling Red Range hardware units, with their red brushed-aluminum panel graphics, illuminated push buttons and rotary control knobs. A floating editor window supplies |
|
|
Focusrite ISA428 Pre Pack $1999.99 Focusrite ISA428 Pre-Pack The ISA 428 Pre Pack is the perfect multi-channel front end for any professional DAW. Four classic Focusrite transformer-based pre amps with switchable impedance and direct instrument inputs. An optional eight channel 192kHz ADC, preceded by the all new proprietory Soft Limiter circuit, provides the perfect path into your Pro Tools HD system. The benefits of the pre amp’s topology include superb common-mode rejection, an excellent overload margin and, with its shared gain structure (20dB from the hand-wound transformer and up to 40dB from the amplifier), an extremely low noise floor and super-wide bandwidth (10Hz to 200kHz). This pre amp design is the cornerstone of Focusrite’s signature ‘warm-yet-transparent’ sound and is a point of reference for any discerning audio professional. In addition, the input stage provides enhanced control and creativity allowing you to switch between four carefully selected input impedance settings. The original ISA 110 setting is supplemented by three further impedance settings to either perfectly match the pre amp with any microphone and maximise level, or use different settings creatively to shape the sound of the microphone being used. Should the need arise to place extra processing in between pre amp and conversion, insert points are also featured on every channel. Protecting the ADC, the Soft Limiter opto circuit is a new design from Focusrite, entirely preventing any ‘digital overs’, whilst minimising the undesirable distortion that standard limiter circuits often generate. Finally, the new ADC embodies cutting-edge conversion technology, encompassed within pristine Focusrite circuitry, providing eight conversion channels of the highest quality, at frequency rates of up to 192kHz. Running at 96kHz allows for up to 16 (2 x 8, parallel) simultaneous digital outputs in addition to the four main analogue outputs. Digital output options include dual AES/EBU, SPDIF and dual ADAT lightpipe. Full digital metering is provided for every channel, alongside new ‘moving coil’ peak meters, designed to catch even the fastest of transients. A second analogue unit can be connected utilising the four extra ADC input channels on the rear of the unit containing the optional ADC. This makes full use of the eight channels provided on a single optional ADC and expands your front-end capacity from four pre amps and eight digital outputs to eight Pre amps and eight digital outputs. Classic preamp technology, custom Focusrite input and limiting circuits and the very best in A/D conversion technology, the ISA 428 Pre Pack raises the bar for multi-channel recording solutions into Pro Tools HD, or any other professional DAW. Equally, it can be used as an additional set of high quality pre amps for any analogue or digital console or hard disk recorder. Features Four classic Focusrite transformer-based preamps. 8 channels of cutting-edge A/D conversion, running at up to 192kHz. Protected by proprietory |
|
|
Focusrite ISA220 Session Pack $1999.99 Focusrite ISA220 Session Pack Channel Strip The ISA 220 Session Pack provides all you need to record your session with precision and Focusrite sonic performance. It features many of the original circuits of the flagship ISA 430 Producer Pack along with some new features of its own. It also features the same digital option as the ISA 430, providing you with a high quality digital route direct from the 220 into your digital recording system. features Precision VU metering of input level or compressor gain reduction (switched) 16 LED Digital Output meters for both internal and external inputs. Classic Focusrite transformer based Mic pre Switched High and Low pass filter controls Switched High and Low shelving filter frequency controls Optional Stereo A/D – 24 bit 96 KHz Delta Sigma converter running at 128KHz oversampling – dithers down to 20 or 16 bit Proprietory Focusrite discrete Class A VCA Compressor side chain design for lower distortion and Noise performance Illuminated push button for switching the compressor between pre and post EQ New Blend feature for adding dynamics into the compressed signal path New De-esser design based on optical technology for lower distortion and transparency ‘De-esser Listen’ for precise control over sibilance Frequency adaptive limiter to avoid critical digital overs Even More The unit begins with a Precision VU meter which is switchable to allow you to monitor either input level or compressor gain reduction. Situated above the VU meter is a 32 LED digital meter for monitoring from either the internal input or an external input which gives access to the second channel of conversion on the optional high quality stereo A/D card. To the right of the Digital Output meter is a global bypass switch to allow for real A/B comparisons. Three input options are provided to give compatibility with Mic, Line or Instrument sources. Switching between these input options is available on the front fascia with LED’s indicating the active input. All inputs are transformer based contributing to that all important Focusrite signature sound of clarity without colouration, with incredibly low noise and distortion figures. The Mic Pre is the classic Focsurite transformer based design as featured in the ISA 110 and Red 1 and 8 (see pages 3, 8 and 9) with illuminated switches for Phantom power and Phase reverse, all immediately available on the Front fascia. Other switchable controls available on the front fascia include controls and indicators for the Digital option, in/out selectors for each of the sections and a select switch between Mic, Line or Instrument inputs. An instrument jack is immediately available on the front fascia for quick ‘plug and play’ access. The EQ featured on the 220 is similar in design to the Red 2 and ISA 110 with the exception of the Shelving EQ’s having four positions rather than six. The focusrite EQ is renowned for its musical empathy. For more o |
|
|
Focusrite Red8 Dual Channel Mic Pre $2399.99 Focusrite Red8 Dual Channel Mic Pre Two perfectly matched channels of the ultimate mic pre-amp -ideal for stereo recording. |
|
|
Focusrite Red1 Quad Mic Pre $3199 Focusrite Red1 Quad Mic Pre Four perfectly matched channels of the ultimate mic pre-amp, whose design uses the same topology as the fabled ISA 215 pre-amps. The result is a phenomenal set of specifications, and probably the most revealing yet forgiving mic amp in history. |
|
|
Focusrite Red3 Dual Channel Compressor $4699.99 Focusrite Red3 Dual Channel Compressor The Red 3 is a Class A VCA-based dual mono/stereo compressor/limiter. The compressor/limiter features a single Class A VCA to achieve truly high class compression and limiting free of the usual compromises. |
|
|
Samson S Mix $49 Samson S mix Samson S mix Description: S-mix – Mini Mixer A miniature 5-channel mixer packed with high-end features. Samson S mix Features: 5-channel mini mixer XLR balanced microphone input with volume control RCA stereo inputs with volume control 1/4″ stereo inputs with volume control RCA stereo outputs 1/4″ stereo outputs 18 Volt AC adapter included Get your Samson S mix today! |
